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Performance in String Quartet (MMus)

Our performance program blends hands-on experience and experiential education in a collaborative environment. You’ll receive personalized training and performance-centred experience in solo, chamber and large ensemble settings.

This program also includes seminar classes on music theory, history and style. The MMus degree program may also serve as an academic pathway to further specialized research at the DMA/PhD level.

Expected length Project or thesis Course-based
2 years Yes No

Quick facts

Program options:
Master's
Study options:
Full-time study
Program delivery:
On-campus
Dynamic learning:
Co-op optional

Outcomes

Students in this program will:

  • hone skills and focus as an ensemble
  • develop expertise in all eras of repertoire in order to prepare for a professional career
  • develop a cohesive sound (through bow movement, vibrato, articulation, expressive intonation)
  • develop a transparency and balance in ensemble playing that communicates the notes from the page to the audience in a coherent and beautiful way
  • develop requisite business skills to pursue a professional career as a string quartet
  • support in seeking connections and competitions which will provide career and musical opportunities
  • conversation and workshops with supervisors around the challenges of this particular intensive collaborative work to foster leadership, consensus, healthy and respectful discourse and teamwork: values and skills beneficial to all aspects of life and extending beyond the quartet experience

Find a supervisor

All graduate students in this program must have a faculty member who serves as their academic supervisor. When you apply:

  • you must list a potential supervisor on your application
  • this faculty member must agree to be your supervisor and recommend your admission

To find a supervisor, review the faculty contacts. When you've found a faculty member whose research complements your own, contact them by email.

Aaron Mattock

Music Performance Instructor

Adam Con

Professor Music Education, Chorus

Ajtony Csaba

Associate Professor Orchestra, Conducting

Alex Olson

Music Performance Instructor Bass

Alexander Dunn

Music Performance Instructor Guitar

Alexis Luko

Director; Full Professor Music History, Musicology

Anita Bonkowski

Sessional Lecturer Theory, Film Music, Jazz Studies

Ann Elliott-Goldschmid

Associate Professor Violin, String Chamber Music, Strings Mentoring

Anne Grimm

Music Performance Instructor Voice

Anthony Tan

Assistant Professor Composition

Arthur Rowe

Professor Piano and Collaborative Piano

Benjamin Butterfield

Professor, Head of Voice Voice, Opera

Bruce Vogt

Professor Piano, History of Keyboard Music, 19th-Century Performance Practices

David Bourque

Music Performance Instructor

Eva Solar-Kinderman

Music Performance Instructor Piano

Giuseppe Pietraroia

Sessional Lecturer Orchestra, Opera (Conductor)

Jeff Weaver

Sessional Instructor Music Education

Jelena Milojević

Music Performance Instructor Accordion

Joanna Hood

Associate Professor Viola, String Chamber Music, Baroque Collegium

Joseph Salem

Associate Professor, Graduate Advisor Music History, Musicology, Theory

Katrina Russell

Music Performance Instructor Bassoon

Kinza Tyrrell

Sessional Instructor

Kirk McNally

Associate Professor Recording Techniques, Music Technology, Sound Recording

Kyron Basu

Music Performance Instructor

Malcolm Armstrong

Music Performance Instructor

Maria Virginia Acuña

Assistant Teaching Professor Music History, Musicology

Mark McDonald

Music Performance Instructor Organ

May Ling Kwok

Music Performance Instructor Piano

Merrie Klazek

Associate Professor Trumpet, Brass Chamber Music, Aural Skills

Michael Mazza

Sessional Instructor Music Education

Michael Dias

Sessional Lecturer

Michelle Feng

Music Performance Instructor

Pamela Highbaugh Aloni

Associate Professor Cello, String Chamber Music, Strings Mentoring

Pamela Highbaugh Aloni

Associate Professor Cello, String Chamber Music, Strings Mentoring

Patrick Boyle

Associate Professor Jazz Orchestra, Jazz Studies, Theory, Musicology, Business of Music

Sam McNally

Music Performance Instructor

Scott MacInnes

Music Performance Instructor Trombone

Sean Kiley

Sessional Lecturer Computer music

Steven Capaldo

Associate Professor Music Education, Wind Symphony (Conductor)

Suzanne Snizek

Associate Professor Flute, Woodwind Chamber Music, Music History

Taylor Brook

Sessional Instructor Composition

W. Andrew Schloss

Professor Electronic & Computer Music, Acoustics, Ethnomusicology

Wendell Clanton

Assistant Teaching Professor Saxophone, Vocal Jazz

William Linwood

Music Performance Instructor Percussion, Percussion Ensemble

Show me program details

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Application deadlines

September – apply by December 15

Auditions completed before January 15 will receive the strongest consideration.

September – apply by December 15

Auditions completed before January 15 will receive the strongest consideration.

Admission requirements

Program specific requirements

As part of your application, you must submit:

  • a one- to two-page statement outlining your background, your goals as a musician and/or scholar and your reasons for wishing to pursue your graduate degree at UVic

Audition

We encourage you to audition in person. Your audition repertoire should:

  • reflect a level of difficulty and variety appropriate for a graduate program
  • be at least 30 minutes long

Contact the graduate advisor at musigrad@uvic.ca to discuss appropriate audition repertoire and to book an audition.

 If you can’t audition in person, you may submit a high-quality, unedited CD recording of your audition. We encourage you to also send a video tape or DVD. Please note that some instructors may require a live audition for acceptance to their class.

Review our audition requirements by instrument.

Program specific requirements

As part of your application, you must submit:

  • a one- to two-page statement outlining your background, your goals as a musician and/or scholar and your reasons for wishing to pursue your graduate degree at UVic

Audition

We encourage you to audition in person. Your audition repertoire should:

  • reflect a level of difficulty and variety appropriate for a graduate program
  • be at least 30 minutes long

Contact the graduate advisor at musigrad@uvic.ca to discuss appropriate audition repertoire and to book an audition.

 If you can’t audition in person, you may submit a high-quality, unedited CD recording of your audition. We encourage you to also send a video tape or DVD. Please note that some instructors may require a live audition for acceptance to their class.

Review our audition requirements by instrument.

Completion requirements

View the minimum course requirements for this program.
View the minimum course requirements for this program.

Funding & aid

Tuition & fees

Estimated minimum program cost*

* Based on an average program length. For a per term fee breakdown view the tuition fee estimator.

Estimated values determined by the tuition fee estimator shall not be binding to the University of Victoria.

Ready to apply?

You can start your online application to UVic by creating a new profile or using an existing one.

Apply now    How to apply

Faculties & departments

Need help?

Contact Linda Sheldon at musi@uvic.ca or 250-721-7902.

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